Sculpting a meaningful life

York Electric celebrates the history, culture, pottery and membership of Elizabeth Plyler and the Catawba Indian Nation

Sculpt­ing clay dug from holes along the Cataw­ba Riv­er has been an inte­gral part of life for the Cataw­ba Indi­ans for thou­sands of years. Pot­tery, one of the old­est and purest art forms, is the lan­guage of love for many in the Cataw­ba Indi­an Nation, who have per­fect­ed the craft over the past 4,000 years. Not only beau­ti­ful, Cataw­ba pot­tery is util­i­tar­i­an, valu­able, trade­able and his­tor­i­cal.

Elizabeth Plyler
Eliz­a­beth Plyler is proud of her her­itage as a mem­ber of the Cataw­ba Indi­an Nation.

Eliz­a­beth Plyler, a skilled pot­ter who will cel­e­brate her 92nd birth­day this month, is proud of her her­itage as a mem­ber of the Cataw­ba Indi­an Nation. The Cataw­ba have lived along the banks of the Cataw­ba Riv­er for at least 6,000 years. Just like the clay she and her ances­tors mold into pre­cious relics, she has adapt­ed her life to over­come dif­fi­cult odds.

From her home on the Cataw­ba Indi­an Nation Reser­va­tion, Plyler shares details of her life as a Cataw­ba Indi­an, a York Coun­ty native and one of the first mem­bers of York Elec­tric Coop­er­a­tive. Eighty years ago, YEC brought elec­tric­i­ty to the Cataw­ba Indi­an Nation, great­ly improv­ing the qual­i­ty of life for Plyler’s fam­i­ly and oth­ers in sur­round­ing rur­al areas.

“We were dirt poor, but we did­n’t know any dif­fer­ent,” says Plyler. “We thought every­one lived that way.”

As a young girl, she remem­bers her father work­ing odd jobs to make mon­ey for their fam­i­ly.

“Although he was­n’t a Cataw­ba, he was no longer accept­ed by oth­ers because he mar­ried my moth­er,” Plyler says. “Since he lived on the reser­va­tion, no one would hire him. Some­how, he always found a way to pro­vide for our fam­i­ly.”

In fact, the entire com­mu­ni­ty looked out for each oth­er.

“When some­one was in need, some­one else was always able and will­ing to help,” says Plyler. “Whether it was giv­ing a cup of sug­ar or car­ing for the sick, we always worked togeth­er and helped each oth­er.”

Often, the way her grand­moth­er could help was through her pot­tery. The skill was passed down for gen­er­a­tions and always served a pur­pose. Plyler’s broth­er has pot­tery from their great­great- grand­moth­er. Whether they were sell­ing or trad­ing it for oth­er goods, their craft was their liveli­hood.

“I remem­ber going door to door with Granny sell­ing pot­tery. If some­one did­n’t want to give mon­ey for a piece, Granny was open to a trade,” Plyler says. “One time, we trad­ed for a pair of men’s shoes. We could­n’t wear them, but Granny taught me that some­one could.”

YEC was start­ed near­ly 80 years ago to bring elec­tric­i­ty to the rur­al com­mu­ni­ties of York, Chero­kee, Chester and Lan­cast­er coun­ties. Hav­ing elec­tric­i­ty brought about a great shift in dai­ly life and oppor­tu­ni­ty for fam­i­lies of the Cataw­ba Indi­an Nation.

Plyler remem­bers the time before elec­tric­i­ty when light came from an oil lamp, irons were heat­ed by a wood fire, food was cooked from a wood stove, water was hauled from the creek for cook­ing and bathing, and an ice truck came around once a week to sell ice to keep per­ish­ables cold. When YEC wired their house, she says it was “a bless­ing.”

“YEC was a great bless­ing to us back then. We were able to enjoy things that we could­n’t before,” says Plyler. “While we were sav­ing our pen­nies to buy our own radio, I remem­ber going to my uncle’s house to lis­ten to the Grand Ol’ Opry on his radio. It was amaz­ing to hear them sing all because of elec­tric­i­ty. After we were able to buy our radio, my moth­er bought an iron and then saved to buy a refrig­er­a­tor.”

Cataw­ba com­mu­ni­ties are matri­ar­chal soci­eties where women are the dom­i­nant cen­ters of the com­mu­ni­ty. Cre­at­ing and fir­ing pot­tery once was a task that required the women to leave pot­tery pieces around a wood stove fire all day. Now, with elec­tric­i­ty, Plyler fires her pot­tery in her kitchen oven for five hours, pol­ish­es the piece with a stone, then burns the piece in three wood fires to let it cure and pro­vide the dis­tin­guish­able unique col­or of Cataw­ba pot­tery.

“Cre­at­ing is in my blood and some­thing I enjoy,” says Plyler.

Approach­ing near­ly a cen­tu­ry of life expe­ri­ence, Plyler likes to stay busy.

She recent­ly learned a new craft, bas­ket mak­ing, and has a grow­ing col­lec­tion of hand­wo­ven pieces. Plyler is hap­py to share her love of her craft with her broth­ers and pass down her sto­ries and her­itage to her chil­dren.

“Elec­tric­i­ty made life eas­i­er, but spend­ing time help­ing oth­ers is what makes life good,” says Plyler.

Edi­tor’s Note: Back­ground mate­r­i­al for this arti­cle was pro­vid­ed by the Cataw­ba Cul­tur­al Cen­ter. The cen­ter’s mis­sion is to pre­serve, pro­tect, pro­mote and main­tain the rich cul­tur­al her­itage of the Cataw­ba Indi­an Nation through efforts in archives, arche­ol­o­gy, trib­al his­toric preser­va­tion, native crafts, cul­tur­al edu­ca­tion and tourism devel­op­ment. To learn more about the Cataw­ba Indi­an Nation, please vis­it catawbaindian.net and catawbaindiancrafts.com.

[ngg src=“galleries” ids=“16” display=“basic_imagebrowser”]Pho­tos by Porter Gable

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